Based on DG CONNECT’s experience of ICT ART CONNECT and
STARTS, this is how you involve artists in research programmes:
For this recipe you will need a failing institution that
pays lip service to fiduciary responsibilities, and is willing to spend public
money as part of it image making political agenda, e.g. the European
Commission, represented by DG CONNECT, and its ICT research programme. You will
also need some willing accomplices, who are either unaware of what you are
doing or do not care. Important to this mixture are technocrats with an
interest in art, but who do not know a lot, for a little knowledge is most
certainly always a dangerous thing. Add to this list of ingredients a pre-determined
agenda and some words about being open and willing to listen and to learn,
accompanied by the body language that makes clear that this is not the case.
Also important are the following ingredients: neo-liberalism; a failing
European economy; and a bureaucracy that needs to justify its own existence,
even at the price of Europe ’s economic
wellbeing. Disregard the conflicts that these imply.
Now for the secret ingredient – political pressure from
several sources demanding change, which will plant in your mind the notion of
sucking from the arts, in a parasitic way, the credibility and kudos that they
still retain, for on the whole, artists have not yet sold themselves to the
power of money. This is obviously now in the process of changing as STEM people
exercise their hegemony over research funding, and begin to bring the arts to
bear on addressing their traditional agendas.
Optional at this point is trying to make yourself seem
knowledgeable by referring to that technocrat called CP Snow – disregard the
all the critiques of this man and his poorly informed simplistic opinions,
which were just the product of a reductive mind (part of the problem).
Mix the above together and cook very slowly over many years.
Make much noise! At some point in the cooking
process add a special study which seeks to explore predefined themes such as
using art to embed technology more gracefully in society. Make sure that the
study is undertaken by people who are not going to be excluded from
participating in the Call for proposals that you already know will result, when
the topic you have already decided upon is included in the work programme –
then set-up an advisory group on the same basis. Whatever you do, you must not
involve the ICT industry. Disregard all previous relevant activities that have
been undertaken over the past 20 years. Take advantage of those allegedly
morally corrupt relationships that the former Chief Scientific Advisor to a
former President of the European Commission identified as existing between the
European Commission and the experts that it uses. Moral corruption in the form
of conflicts of interest, and a desire to obtain public money, are wonderful at
delivering that which you want. Whatever you do during the cooking, do not
apply due diligence procedures to verify that what you have cooked is indeed
the dish that is needed, otherwise you will not be able to eat that which you
have already determined is going to be on your menu.
When you find that there is no evidence to support your sole
truth, do not worry. The last thing you should do when you have dug yourself
into a deep hole is to stop digging. Carry on digging regardless and START
making random quotes taken from miscellaneous artists. Drop in a few buzzwords,
like trans-disciplinary, and refer to issues addressed in the 1990s, like
silos. Few, like yourself, will know what you are talking about, so you have
little to worry about. Refer to Steve Jobs and Apple, but whatever you do, do
not understand what he was saying back in 1996 about the liberal arts. Do not
find out how Apple, and many other companies in the ICT sector (including the
European ones), who produce consumer-facing products, go about developing their
products.
Once the cooking is complete, enjoy the consequences, for
when you sow the wind, you will mostly certainly reap the whirlwind. But you
are a European, and a technocrat, so you do not understand this.
And for those of you in the European Parliament – is it not
about time that you took action to stop these types of technocratic and morally
corrupt practices? Surely it is time to do something about the problem that is
DG CONNECT? And now you also know why there are people in the UK who want to
leave the EU – it’s a choice between technocracy (remain a member) and democracy
(leave), and the main argument for remaining is about money – the power of
money once again!
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