“To help to more gracefully embed science and technology in
society.”
As soon as I heard this I recognised the sinister
implications of what DG CONNECT wanted to use art for – to manipulate the public
into accepting whatever scientist and technologists create. This is something
one would have expected to hear in Moscow , in
the Soviet Union, in the past, but we hear it from Brussels , from the European Commission, in the
present. And also in many other places as well, all of which are part of the
STEM world. The monster that John Dewey wrote about in 1920 has arrived!
Let us be clear – this statement about embedding science and
technology in society is one of the reasons why DG CONNECT is interested in
art. This is a matter of public record, and to ensure that this is not
forgotten is one of the reasons why I created the online ICT-ART CONNECT archive.
DG CONNECT’s other reason is image making, for they have a very tarnished image.
And it is also now a matter of public record that many artists and arts
organisations did collaborate with DG CONNECT. Their names too are recorded in
the archive.
In my recent blog, the one that goes by the title ‘When a Distinguished Professor of Art and Technology asks questions …”, I mentioned
that some STEM people, from very prestigious institutions, had made very clear
that their intention is to use art to manipulate the minds of the public into
accepting science and technology – the true meaning of embedding more
gracefully.
It is truly Orwellian vision that these STEM people have!
The phrases they use are: “When the emotions are targeted, individuals pay more
attention to a particular event and commit to the cause, storing information in
their long-term memory” and “… psychological ambiguity, in which the basic
ideas and norms are broken down or weakened, and this disorientation allows
individuals to reposition their points of view” and “the incorporation of art
into communication of technology can promote new ways of considering issues,
appeal to emotions, and form a celebratory atmosphere.”
I have been warning for some time the STEM people’s interest
is using art is not benign. But mostly what I hear are STEM people and their
‘artists in residence’, creating a ‘celebratory atmosphere’ that is likely to
leave both groups with tarnished reputations, and titles such as
‘distinguished’ looking somewhat empty. Enthusiastic but naïve practitioners! Enthusiasm though is dangerous and no substitute for critical
thinking. Thus do the art/science and art/technology mutual admiration
societies create the zone of discredited practice! And thus do we take up the
pen …
I refer people to the second definition of collaborate that I provided in last week’s blog.
You will pay a heavy price by becoming involved with DG
CONNECT and all those STEM people itching to use art to restore their tarnished
images and to manipulate the public so that the STEM world’s techno-science
delusions and technocratic intentions can become a reality. But there is a pen
waiting here, and as I said two weeks ago, “the pen is far mightier that the
Scanning Electron Microscope and other such boy’s toys.”
Thus the artistic voices that DG CONNECT silenced, will be
heard, and people will know that DG CONNECT did silence these voices.
Quietly and slowly, determination to expose the true nature
of DG CONNECT and their collaborators will pay-off in the end. And the critique
becomes a book with the title: STARTS –
Science, Technology and the Arts: The artistic voices that DG CONNECT silenced.
A British Library Cataloguing-in-Publication
record has already been generated. The publication date is set for October 1st
2016. And from the critique came forth …
The next book, even stranger than the one just mentioned, is
already taking shape, in which, people who think they can appropriate art, the
very ones mentioned above, encounter people – monsters – from the recent past
who are somewhat interested in these STEM people and what they can do to help
them create a celebratory atmosphere!
And we are just warming-up!
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